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“Do you like it, Sunday School, I mean? I don’t. I like church, though,—the great booming organ, the beautiful singing. And when the minister speaks I just float away into fairy-land and never come back till he says, ‘The-Lord-make-his-face-to-shine-upon-us-amen.’” This interlude gave Mrs. Wopp an opportunity to recover her equilibrium which had been disturbed by her vivid conception and realistic description of the storm, all of which had necessitated startling gestures and a swaying, rocking movement of the body, illustrative of a ship in distress. The next day was spent in sight seeing but visions of neglected poultry and cows haunted the anxious housewife, and notwithstanding the expostulations of Moses they started home that evening..

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“Sour’s licked me ’cause I’m a n-nigger, ’n gave T-Twinnies some f-flowers an’ walked with ’em. He’s back there now l-lickin’ the T-Twins.” “And Bouncer’s here,” May Nell added, hugging the dog affectionately. Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers. “Moses, you git to the barn an’ hunt the aigs, an’ min’ you look in the haystack; that ole yaller hen has been wantin’ ter set in the nigh corner of it.”.